Discover Hue/Saturation
Now that you've got a selected area (the wall in this case); go to Image: Adjustments: Hue/Saturation.
Click on the Colorize box. Now you can move the Hue sliders around to choose a value which you can preview in real-time to see your wall change color.
This is cool because, if you'll notice that the wall
is still retaining its ‘texture' and isn't just being ‘filled' with
a solid color. This makes Hue/Saturation a great adjustment tool.
You can use it a lot for such things as changing the color of
people's clothes or hair.
It's a very handy dandy tool that you'll want to keep in mind. Use it easily if you want to change the color of something (if you have an easy selection job!).
Grab another image that has a nice simple background that would be easy to select with the tragic wand which in this case would be magic wand. You'll learn to use tools in different situations. For example it doesn't make sense to use the hand drawn lasso which would be a painstaking job when you can just use the magic wand.
In the
video training tutorials for Photoshop CS/CS2 I teach you
how to combine several different selection tools together in
different circumstances for the least possible amount of work on
your part.
Once you've made a selection duplicate the
background layer by dragging it to the new layer icon. The selection
will still be there and as long as you just drag another layer in
the palette without first clicking on it you will still be on the
layer that you were working on. Always be aware of what layer you're
working on. This can be a little confusing for beginners when you
wonder what's going on; you're probably not on the layer you wanted
to be on.
In this tutorial I'm going to get a sunset image from my Photos.com collection that I'll use to replace for a new background. File: Browse to bring up the file browser or use File: Open to find an image to use as a new background.
Select the file in the browser and open it. Go to the moVe tool and click in the new image and drag it over into the document you're working on.
When you drag a layer in, it will appear on top of
whatever layer was selected in the layers palette. You can highlight a layer by Ctrl clicking on the icon in the layers palette. Nevermind the magic wand doing its own thing (I should have captured with the pointer on top of the highlighted layer icon..forgive me I have sinned).
Move the layers around in the layers palette so that the sunset is below the foreground layer of the monument.
Moving the layers in the layers palette only changes their order of appearance (vertically in a sense) from foreground to background with the topmost layers being on top of the ‘stack'. In the actual document window you can move the layers around with the moVe tool on their own ‘invisible plane' or order of appearance in the stack. To move a layer around it must be selected in the layers palette or linked to another layer. Here is the image with the monument selection highlighted (ctrl click layer icon) and the sunset background underneath it in the layers palette.
It is essential to understand and master the power of layers. You
can gain this mastery with the
TutorialKey
video training tutorials for Photoshop CS/CS2
|
TUTORIALSTRAINING.COM
& TutorialKey Solutions c/o DreamCore Productions, Ltd.
5140 STONEY BROOK RD. RUDOLPH, WI 54475
715-423-2161
Contact me for any questions.
Copyright TutorialsTraining.com & TutorialKey Solutions 2005 Adobe, Photoshop, and the Adobe Certified Expert logos are either registered trademarks or trademarks of Adobe Systems, Inc. in the U.S. & other countries. Adobe Product Screen Shots reprinted with permission from Adobe Systems, Incorporated. TutorialsTraining.com & TutorialKey Solutions, PhotoshopDesigner.com, PhotoshopDesign.Net, ClubCast.tv, PhotoRestorationTutorials.com, PhotoRetouchingTutorials.com, Digital-Scrapbooking.net, Scrapbook-Templates.com, are trademarks of DreamCore Productions, Ltd. U.S.A. NAPP is a trademark of PhotoshopUser.com. Use of other trademarks or logos does not imply endorsement from the respective sources. |